Whole Wonder Woman Movie Online ' title='Whole Wonder Woman Movie Online ' />That statement confirms that Wonder Woman will be in Flashpoint, but also suggests a whole lot more. From the statement that Flashpoint is more of another superhero. Watch Wonder Woman Full Movie 2017 Online Now Latest Action of Beloved Wonder Woman is Free Ready To Be Streamed Right Now Wonder Woman review Gal Gadot helps deliver DCs first great superhero movie By. Diana is shattering glass ceilings and windows in the new Wonder Woman trailer. The final trailer for the upcoming blockbuster aired Sunday night. SupermanWonder Woman is an American comic book series published by DC Comics. The series debuted in October 2013 and was cancelled in May 2016. Whole Wonder Woman Movie Online ' title='Whole Wonder Woman Movie Online ' />Wonder Woman 2. Art of the Title. A discussion with Wonder Woman Director PATTY JENKINS and Greenhaus GFX Creative Director JASON DOHERTY, Art Director AMANDA KOH, and Executive Producer MEGAN HAMILTON. Hi Patty Congratulations on the film Its a lot of fun. Patty Thank you So I think we should start by talking about title sequences in general. How do you feel about titles, both as a filmmaker and a viewer A new comic book, a buzzy movie, a snazzy Barbie Wonder Woman is celebrating her big milestone in high style. First impressions of the first theatrical live action Wonder Woman film Wonder Woman 2017 theatrical trailer. Patty The movie is the journey all the way to Wonder Woman and its only at that final moment that she steps into the world. Plugged In helps college student standup for his belief Thanks for the great job you do in posting movie and television reviews online. Im a college freshman and. Patty It depends, you know I feel like for a certain kind of movie it can really bring something to the party and elevate it. I dont think that theyre always necessary, but when theyre good, when theyre well made, and when theyre in the right place I think theyre an amazing part of the movie. The Wonder Woman main on end titles are an amazing part of this movie. They act as a sort of reprise of the story, a recap of what the audience has just seen. Is that how you initially approached it Patty In our case the title sequence almost became the end of the movie in a beautiful way. Youre right at a moment when you wish you had more and it becomes more. It carries forward the story in a way. Hoodwinked Movie Dvd Quality. What the final moment of the film is best at is saying Now theres Wonder Woman, now Wonder Woman is born. Wonder Woman 2. Patty The movie is the journey all the way to Wonder Woman and its only at that final moment that she steps into the world and becomes our Wonder Woman. And so having that kind of comic book style recap of the myth of Wonder Woman you just saw the story but this is the myth of who she is it felt like a really great way to be like now shes this and this is her backstory Its very effective and a really positive note to end the movie on. It seems like more and more films particularly in the superhero genre are using the real estate at the end of the movie for exactly that purpose. Jason Yeah, this has become a popular approach for main on end titles. We did it with both Teenage Mutant Ninja Turtles films. It is nice because sometimes you get into your car after watching a movie and you start reflecting back to all your favourite parts, but now its like theyre doing that for you in the movie to a degree. Alright, before you leave, lets reflect on all this great stuff that just happened Amanda Yeah, I think it helps the audience to kind of wrap up how theyre feeling about the movie. The last cut we saw ended on a slightly sombre note, so its just good to help the audience package everything theyre feeling before they head out. Patty, on a huge film like this with all of the pre production, planning, shooting, and post production at what point do conversations about the titles begin Is it the sort of thing thats mandated by the studio or did you know right from the start that you needed this sort of capstone for the movie Wonder Woman director Patty Jenkins and star Gal Gadot on location. Patty I knew that I needed it and wanted it. I didnt want to do any opening titles, but I wanted to do something better than just title cards at the end. I really didnt have time to focus on it or do much about it until post not only post but until Id cut the whole movie into a directors cut which was actually wonderful. You really dont know where youre going to have arrived at in that final emotional moment until you see the whole movie cut together. It was amazing because what that allowed me to get there and then say now I know what we need I met with a bunch of different companies, but was super excited by my meeting with Greenhaus, their ideas, and their initial pitch. So that was it So how exactly did Greenhaus become involved Jason We were fortunate enough to go in for an early screening in late January. It was a rough cut, but it wasnt too rough  there was a lot of visual effects that still needed work, but ultimately the story was in place. After watching the film and developing our first presentation, we were able to get on a call with Patty and David E. Hall, her post production supervisor  whos a good friend who we worked with on Warcraft. We had a really great Skype meeting with them for like an hour. Megan Helen Greene, our Creative Director, is a very big fan of Wonder Woman, so we had sent them something that wed come up with internally before wed even spoken or seen the movie. Selected frames from Greenhaus GFXs initial Wonder Woman main title design proposal. Megan Then once we got on the phone we just kind of spitballed about what Patty was looking for, the feel she wanted, the colour palette, and any inspirations she had. She was very involved in what she wanted creatively and was very clear about what she wanted. Then we were able to go see the movie and had about six to seven great Skype calls as well as number of emails and phone calls. It was a very collaborative effort. Amanda She was really clear about how she wanted this title sequence to be about Wonder Womans journey. It wasnt just a normal superhero movie, it was about Wonder Woman finding herself and becoming Wonder Woman. She really wanted us to come up with some ideas of vignettes that would really work with capturing her strength and femininity, and just her journey to becoming this superhero that we know and love. Patty, you mentioned that a number of other studios pitched on the project as well. What was it about the team at Greenhaus and their pitch that convinced you they were right for the job Patty They put together a lookbook and it was literally that. They had found a way to incorporate colour, brightness, and doable animation that made it exciting but possible to do. View 9 images. Image set Wonder Woman 2. Beacon concept boards. Patty Movement and animation can be very time consuming. I loved what they came up with I loved the way they showed scenes from the film but not literally scenes from the film. It was the quality of the work and the great ideas. And, by the way, their body of work being excellent. Could we talk about some of the initial directions Greenhaus took with this project Amanda There were definitely a few different ideas and variations that we tried, but Patty seemed to have a really clear vision when she saw two of our concepts at the very early stages. They were more of the illustrative style that we have in the final. It was all about taking from those initial styles and churning out different ideas and vignettes to really tell the story. One of the boards that we sent was of Wonder Woman standing on the precipice of the W, which had this moody feeling of her heroicness as well as isolation and loneliness. We built off some of the different boards from there. Wonder Woman 2. 01. Jason Patty was definitely adhering to the yellow, red, and blue colour palette, as well as everything involving the smoke and atmosphere. Also, the sparks, which were very prominent in the film. So it was really riffing off of what she was already liking about the film and just kind of redeveloping those things. Amanda It really brought a lot of mystery and energy into the characters in the vignettes, which was nice. Jason But then it came to a situation where she was feeling like it was too dark and too moody. We didnt want to end on too much of a sombre note or too much of a war fighting note, which is easy to do with a superhero film. Amanda Especially one that was taking place in World War One. Theres an abstract, James Bond like quality to parts of the title sequence, but as weve discussed it also functions as a sort of recap of Dianas story. Patty, can you talk about the decision to not go one direction over the other, but instead sort of combine several ideas Patty They had these great war vignettes, but I was missing some of the positivity. I didnt want the entire sequence to be the war and her fighting in the war. So then I was craving the island, which then led us more in that direction. We only saw so much on the island, so its not like the island will go on forever in the sequence.